Two paintings in progress

some of you have shared how much you love seeing a painting develop, so I thought I would share pix of two paintings as they have progressed through time.  This first painting is huge - 5 x7? and has lived in my studio for almost two years now in pretty much the same state as photo #1... and I have been completely baffled as to what to do with it.. But my December show at Rockingham Memorial Hospital is looming, and I promised myself that it would be a show of abstracts, so I am jumping back into the murky waters....

 

For some reason I want to call it "the loveboat"

but there is something plinthy and monolithic

about it. Sandstone cliffs, graffiti............

 

                                           almost finished!!!  Jamba says it reminds him of some of my earliest abstract paintings, when I had absolutely no idea what I was doing.  It certainly owes a debt to Richard Diebenkorn, who I have been studying in the vain hopes that his genius will rub off on me somehow. It lacks his gorgeous looseness and his supreme painterly confidence, but I have to admit I find it powerful and striking, even in its unfinished sate.

                                          Finished! I have decided it is the teeming bookshelf
                                          of a rather unorganized philosopher of antiquities.
                                         I finished it as the first drifts of snow floated past my
                                         knuckles....
....................................................................................................................................................................

 Secondly... a painting which started as an exploration of a specific sequences of glazes (see earlier post) that has become a yarn painting of sorts.... inspired by the yarn sculptures of artist Judith Scott

very beginnings. I am so excited by the emerging forms and layers of glazes. but then....

the painting is rotated yet again: the blue is kept in hints and the figure is subsumed by scribbled lines. I love that the strange man figure has become a sense of openness in the center of the painting. I love the painting at this stage but feel it needs more complexity...

Wanting to coalesce those scribbles into a congealed form, so I overlay and overlay, trying to create depth and unity. It has been so beautiful and warm in these late October days I have been grabbing a rare chance to be able to paint outside. Perfect lighting, too- not too bright or hot.

a close up of scribbles: (this is the photo that inspires my final solution for the painting.)

   

The painting is almost done. I decided that I wanted to extend the yarn scribbles across the entire composition.. to have them play completely across the surface so that the painting becomes a chromatic experience of electric energy. For the last few weeks I have been visiting it daily to drop another colored yarn into the perimeters... slowly building up the edges with the same density of tangles as the original center. The painting is really lovely in person and a complete departure for me as a painter.

finished!!! I am really happy with this piece. Our soon-to be new roommate
came over and said it felt like "the happiness that lives in your chest"
and so that is what it is going to be called.